{"id":6361,"date":"2018-03-18T07:42:16","date_gmt":"2018-03-18T07:42:16","guid":{"rendered":"http:\/\/obcanskymonitoring.cz\/?p=6361"},"modified":"2018-05-28T04:47:31","modified_gmt":"2018-05-28T04:47:31","slug":"arch-svabova-vyjadreni-asociace-pro-ochranu-a-rozvoj-kulturniho-dedictvi-k-navrhu-zastavby-uvolneneho-kolejiste-u-masarykova-nadrazi","status":"publish","type":"post","link":"https:\/\/obcanskymonitoring.cz\/?p=6361","title":{"rendered":"Arch. \u0160v\u00e1bov\u00e1: Vyj\u00e1d\u0159en\u00ed Asociace pro ochranu a rozvoj kulturn\u00edho d\u011bdictv\u00ed k n\u00e1vrhu z\u00e1stavby uvoln\u011bn\u00e9ho koleji\u0161t\u011b u Masarykova n\u00e1dra\u017e\u00ed"},"content":{"rendered":"
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P\u0159etiskujeme \u010dl\u00e1nek pan\u00ed architektky \u0160v\u00e1bov\u00e9 k\u00a0n\u00e1vrhu z\u00e1stavby uvoln\u011bn\u00e9ho koleji\u0161t\u011b u Masarykova n\u00e1dra\u017e\u00ed.<\/p>\n

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V\u00a0minul\u00e9m roce byla ve\u0159ejnost sezn\u00e1mena s\u00a0projektem vyu\u017eit\u00ed plochy\u00a0 po zru\u0161en\u00e9 \u010d\u00e1sti koleji\u0161t\u011b Masarykova n\u00e1dra\u017e\u00ed od historick\u00fdch budov n\u00e1dra\u017e\u00ed pod\u00e9l ulice na Florenci a\u017e k\u00a0M\u011bstsk\u00e9mu museu a d\u00e1le po obou stran\u00e1ch magistr\u00e1ly a\u017e k\u00a0autobusov\u00e9mu n\u00e1dra\u017e\u00ed Florenc.<\/p>\n

Jak to v\u0161e vlastn\u011b vzniklo? Celkem jednodu\u0161e \u2013 vzhledem ke strategick\u00e9mu v\u00fdznamu uvoln\u011bn\u00e9ho prostoru pro koncepci m\u011bstsk\u00e9ho centra, a\u017e p\u0159\u00edli\u0161 jednodu\u0161e:<\/p>\n

Developersk\u00e1 organizace Penta<\/a> zakoupila pozemky z\u00a0\u010d\u00e1sti od magistr\u00e1tu, z\u010d\u00e1sti od \u010cesk\u00fdch drah. Funk\u010dn\u00ed vyu\u017eit\u00ed bylo stanoveno s\u00a0ohledem na co nejrychlej\u0161\u00ed n\u00e1vratnost vlo\u017een\u00e9 investice \u2013 z\u0159etele na koncepci m\u011bsta se neuplatnily. Skute\u010dn\u011b na pov\u00e1\u017eenou je, \u017ee nikomu nevadil nesoulad projektu Penty s\u00a0platn\u00fdm \u00fazemn\u00edm pl\u00e1nem \u2013 Z\u00e1sady \u00fazemn\u00edho rozvoje p\u0159edpokl\u00e1daj\u00ed v\u00a0t\u00e9to lokalit\u011b podstatn\u011b jin\u00e9 funk\u010dn\u00ed vyu\u017eit\u00ed, ne\u017e mu projekt vnucuje.<\/strong><\/p>\n

Developer netaj\u00ed, \u017ee \u2013 podobn\u011b jako v\u00a0p\u0159\u00edpad\u011b Florentina \u2013 hodl\u00e1 celou z\u00e1stavbu prodat nejvy\u0161\u0161\u00ed nab\u00eddce. Urbanistickou a architektonickou podobu vtiskla \u00fazem\u00ed sv\u011btozn\u00e1m\u00e1 architektka ir\u00e1ck\u00e9ho p\u016fvodu Zaha Hadid<\/a>, jej\u00ed\u017e tvorba programov\u011b vztahy k\u00a0prost\u0159ed\u00ed nerespektuje. V\u00edc se ne\u0159e\u0161ilo, magistr\u00e1t si podm\u00ednky nekladl, IPR zat\u00edm v\u0161e bez z\u00e1sadn\u00edch v\u00fdhrad p\u0159ijal. NP\u00da podle dostupn\u00fdch informac\u00ed schv\u00e1lil\u00a0 prvn\u00ed \u010d\u00e1st realizace s\u00a0v\u011b\u017e\u00ed na Florenci a plochu p\u0159echodu nad zachovan\u00fdm koleji\u0161t\u011bm n\u00e1dra\u017e\u00ed.<\/p>\n

Developersk\u00fd projekt\u00a0 m\u00e1 sv\u00e9 p\u0159\u00edznivce\u00a0 mezi \u010d\u00e1st\u00ed etablovan\u00e9 elity, laick\u00e1 i odborn\u00e1 ve\u0159ejnost vesm\u011bs protestuje. Podobn\u00e9 spory prob\u00edhaj\u00ed ve v\u011bt\u0161\u00ed nebo men\u0161\u00ed intenzit\u011b u v\u011bt\u0161iny velk\u00fdch developersk\u00fdch projekt\u016f. Z\u00e1sah do m\u011bstsk\u00e9ho organismu \u2013 nav\u00edc na \u00fazem\u00ed Pra\u017esk\u00e9 pam\u00e1tkov\u00e9 rezervace \u2013 nemohl b\u00fdt v\u00fdjimkou, zvl\u00e1\u0161t\u011b kdy\u017e byla ve\u0159ejnost sezn\u00e1mena \u201es hotovou v\u011bc\u00ed\u201c, bez p\u0159edb\u011b\u017en\u00e9ho projedn\u00e1v\u00e1n\u00ed funk\u010dn\u00ed n\u00e1pln\u011b ani urbanisticko –\u00a0 architektonick\u00e9ho ztv\u00e1rn\u011bn\u00ed navrhovan\u00e9 z\u00e1stavby.<\/p>\n

Posoudit validitu n\u00e1zor\u016f obou stran je v\u00a0sou\u010dasn\u00e9 dob\u011b\u00a0 velmi obt\u00ed\u017en\u00e9. Chyb\u00ed\u00a0 hodnotov\u00fd konsenzus obecn\u011b, koncepce \u00fazemn\u00edho pl\u00e1nu m\u011bsta je nejasn\u00e1 a nejasn\u00fd je i n\u00e1zor na c\u00edle pam\u00e1tkov\u00e9 ochrany \u00fazem\u00ed. Hyperkorektn\u00ed p\u0159\u00edkaz plurality n\u00e1zor\u016f a legitimita tvo\u0159ivosti bez hranic neumo\u017e\u0148uj\u00ed \u0159e\u0161it probl\u00e9m sebekorektn\u011bj\u0161\u00ed diskus\u00ed. \u00a0Je ov\u011b\u0159enou skute\u010dnost\u00ed, \u017ee dobrat se obecn\u011b p\u0159ijateln\u00e9ho \u0159e\u0161en\u00ed, jestli\u017ee chyb\u00ed\u00a0 obecn\u011b p\u0159ijat\u00e9 hodnoty, ke kter\u00fdm bychom m\u011bli sm\u011b\u0159ovat, nen\u00ed mo\u017en\u00e9. Jaz\u00fd\u010dek na vah\u00e1ch \u00a0r\u016fzn\u00fdch n\u00e1zor\u016f v\u00a0t\u011bchto p\u0159\u00edpadech v\u017edy rozhodne\u00a0\u00a0 nezpochybniteln\u00e1 hodnota pen\u011bz.<\/p>\n

Celou situaci je\u0161t\u011b zhor\u0161uje pochyben\u00e9 ch\u00e1p\u00e1n\u00ed z\u00e1kladn\u00ed podstaty architektury a urbanismu. Obecn\u011b se st\u00e1le pohl\u00ed\u017e\u00ed na architekturu jako na artefakt, posuzuje\u00a0 ztv\u00e1rn\u011bn\u00ed hmoty architektonick\u00fdch objekt\u016f, design. Bruno Zevi<\/a> v\u00a0prv\u00e9 polovin\u011b minul\u00e9ho stolet\u00ed napsal: \u00fadaje objemov\u00e9 \u2026 plastick\u00e9\u00a0 a mal\u00ed\u0159sk\u00e9 \u2026bezpochyby maj\u00ed v\u00fdznam, ale nejsou schopn\u00e9 vysv\u011btlit hodnotu architektury, jestli\u017ee se zapomn\u011blo na jej\u00ed podstatu, na prostor.<\/p>\n

Urbanismus je vn\u00edm\u00e1n jako \u0159e\u0161en\u00ed komunikac\u00ed a s\u00edt\u00ed \u2013 technick\u00e9 infrastruktury obecn\u011b. Zcela se opom\u00edj\u00ed skute\u010dnost, \u017ee smyslem urbanismu a architektury je tvorba prostor\u016f, kter\u00e9 urbanismus spojuje do soun\u00e1le\u017eit\u00e9ho celku m\u011bsta, \u00a0\u017eivotn\u00edho prost\u0159ed\u00ed civilizovan\u00e9 spole\u010dnosti.<\/strong> Diferencovan\u00e9 prostory maj\u00ed r\u016fzn\u00e9 funk\u010dn\u00ed vyu\u017eit\u00ed, jako celek by m\u011bly zaji\u0161\u0165ovat hmotn\u00e9, kulturn\u00ed a politick\u00e9 pot\u0159eby obyvatel m\u011bsta i jeho integraci\u00a0 s okol\u00edm. Kupodivu, skute\u010dn\u00fd sjednocuj\u00edc\u00ed v\u00fdznam prostoru, v\u010detn\u011b jeho vlivu na lidskou psychiku i vztahy mezi lidmi, zat\u00edm urbanistick\u00e1 a architektonick\u00e1 tvorba pat\u0159i\u010dn\u011b nereflektuje. Doufejme, \u017ee po\u017eadavek vysloven\u00fd MMR v\u00a0dokumentu Politika architektury a stavebn\u00ed kultury na zpracov\u00e1n\u00ed metodiky anal\u00fdzy urbanistick\u00fdch hodnot p\u0159inese posun v\u00a0na\u0161em \u00fazemn\u011b pl\u00e1novac\u00ed \u010dinnosti i pam\u00e1tkov\u00e9 p\u00e9\u010di.<\/p>\n

Podle Kanta<\/a> je to, co naz\u00fdv\u00e1me prostorem, \u201esyntetick\u00e1 forma a priori na\u0161\u00ed psychiky, neuv\u011bdom\u011bl\u00e1 intuice, s\u00a0jej\u00ed\u017e pomoc\u00ed strukturujeme a d\u00e1v\u00e1me smysl informac\u00edm, kter\u00e9 p\u0159ich\u00e1zej\u00ed z vn\u011bj\u0161\u00edho prost\u0159ed\u00ed\u201c<\/em>.\u00a0 V\u00a0polovin\u011b 20t\u00fdch let minul\u00e9ho stolet\u00ed prok\u00e1zal experiment\u00e1ln\u011b gestaltismus<\/a>\u00a0 (tvarov\u00e1 psychologie), \u017ee proces, p\u0159edev\u0161\u00edm vizu\u00e1ln\u00edho vn\u00edm\u00e1n\u00ed, je v\u00a0mysli organizov\u00e1n podle holistick\u00e9ho principu \u2013 vn\u00edm\u00e1me sv\u00e9 prost\u0159ed\u00ed v\u00a0prostorov\u00fdch celc\u00edch \u2013 ne jednotliv\u00e9 objekty samostatn\u011b. Camillo Sitte<\/a> nes\u010detn\u00fdmi p\u0159\u00edklady historick\u00fdch prostor\u016f dolo\u017eil obdobn\u011b v\u00fdznam uzav\u0159en\u00e9ho, jasn\u011b vymezen\u00e9ho prostoru pro psychiku \u010dlov\u011bka. Tak\u017ee na\u0161e orientace v\u00a0prost\u0159ed\u00ed, kde se nach\u00e1z\u00edme, z\u00e1kladn\u00ed p\u0159edpoklad pocitu bezpe\u010d\u00ed a psychick\u00e9 pohody, je zalo\u017eena na vn\u00edm\u00e1n\u00ed jasn\u011b definovan\u00e9ho\u00a0 prostorov\u00e9ho celku. Z\u00a0vlastn\u00ed zku\u0161enosti v\u00edme, \u017ee tam, kde vymezen\u00fd prostor chyb\u00ed, se orientujeme \u00a0t\u011b\u017ece, dostavuje se stres. A\u0165 jde o hust\u00fd les nebo s\u00eddli\u0161t\u011b s\u00a0voln\u011b stoj\u00edc\u00edmi nez\u00e1visl\u00fdmi objekty.\u00a0 M\u011b\u0159\u00edtko i dal\u0161\u00ed \u010dlen\u011bn\u00ed prostoru m\u00e1 siln\u00fd dopad na psychiku jednotlivce i vz\u00e1jemn\u00e9 chov\u00e1n\u00ed t\u011bch, kte\u0159\u00ed se zde potk\u00e1vaj\u00ed. Modern\u00ed psychoanalytick\u00e9 metody tak potvrzuj\u00ed zcela nad\u010dasovou hodnotu historick\u00e9ho prost\u0159ed\u00ed \u2013 dochovalo n\u00e1m intuitivn\u011b vytvo\u0159en\u00e9 prostory\u00a0 odpov\u00eddaj\u00edc\u00ed na\u0161im psychick\u00fdm i fyziologick\u00fdm pot\u0159eb\u00e1m, spole\u010dn\u00fdch lidem v\u0161ech dob a kultur.<\/p>\n

Z\u00a0p\u0159edeslan\u00fdch \u00favah vypl\u00fdv\u00e1, \u017ee pohled na urbanismus a architekturu jako na tvorbu \u017eivotn\u00edho prost\u0159ed\u00ed spole\u010dnosti nab\u00edz\u00ed dostatek obecn\u011b p\u0159ij\u00edman\u00fdch hodnot, kter\u00e9 poskytuj\u00ed z\u00e1klad pro hodnocen\u00ed z\u00e1sah\u016f do m\u011bstsk\u00e9ho organismu.<\/p>\n

Posuzujeme-li n\u00e1vrh Penty z\u00a0hlediska \u0161ir\u0161\u00edch vztah\u016f, nelze opomenout, \u017ee uvoln\u011bn\u00e9 \u00fazem\u00ed po \u010d\u00e1sti koleji\u0161t\u011b Masarykova n\u00e1dra\u017e\u00ed bezprost\u0159edn\u011b souvis\u00ed s opu\u0161t\u011bn\u00fdm koleji\u0161t\u011bm n\u00e1dra\u017e\u00ed Bubny. Je skute\u010dn\u011b po\u0161etil\u00e9 rozhodovat o obou \u010d\u00e1stech brownfieldu nez\u00e1visle. Bubny sahaj\u00ed a\u017e k\u00a0nejv\u011bt\u0161\u00edmu pra\u017esk\u00e9mu parku Stromovce. Spojen\u00ed obou brownfiel\u016f vznik\u00e1 prakticky souvisl\u00fd p\u00e1s, kter\u00fd nab\u00edz\u00ed p\u0159iv\u00e9st vzduch a vysokou zele\u0148 k\u00a0p\u0159eh\u0159\u00e1t\u00e9mu centru na Florenc. Tato v\u00fdjime\u010dn\u00e1 p\u0159\u00edle\u017eitost zv\u00fd\u0161it kvalitu \u017eivotn\u00edho prost\u0159ed\u00ed v\u00a0centru se ji\u017e nikdy nebude opakovat.<\/strong> Nemus\u00ed tu b\u00fdt jen zelen\u00fd p\u00e1s \u2013 \u00fa\u010del by splnila i z\u00e1stavba s\u00a0vysok\u00fdm pod\u00edlem ve\u0159ejn\u00e9 zelen\u011b a obyvatelnost p\u0159ehu\u0161t\u011bn\u00e9ho centra by se dostala do jin\u00e9 kategorie. Pokud bude tato mo\u017enost vym\u011bn\u011bna za zisk soukrom\u00e9 firmy, ze kter\u00e9ho nebude m\u00edt m\u011bsto nic, jde o neodpustiteln\u00fd zlo\u010din. Zb\u00fdv\u00e1 objasnit, zda k\u00a0n\u011bmu do\u0161lo z\u00a0nedbalosti, nebo z jin\u00fdch p\u0159\u00ed\u010din. Z\u00a0hlediska funk\u010dn\u00edho vyhodnocen\u00ed \u00fazem\u00ed v\u00edc ps\u00e1t nem\u00e1 smysl, o zbyte\u010dnosti kancel\u00e1\u0159sk\u00e9ho monstr\u00f3zn\u00edho komplexu, nev\u00edtan\u00e9 koncentraci dopravy v\u00a0centru, mrtv\u00e9m \u00fazem\u00ed toho ji\u017e napsali jin\u00ed a\u017e dost.<\/p>\n

Praha\u00a0je dosud m\u011bstem zapsan\u00fdm v\u00a0seznamu sv\u011btov\u00e9ho kulturn\u00edho d\u011bdictv\u00ed. Jej\u00ed zcela v\u00fdjime\u010dnou kvalitou je prostorov\u00e1 kompozice, dan\u00e1 zaj\u00edmav\u00fdm ter\u00e9nem akcentovan\u00fdm architektonick\u00fdmi dominantami se spiritu\u00e1ln\u00ed vertik\u00e1ln\u00ed transcendenc\u00ed spole\u010dnou v\u011b\u017e\u00edm v\u0161ech slohov\u00fdch obdob\u00ed.\u00a0 Zna\u010dn\u00e1 \u010d\u00e1st navr\u017een\u00e9 z\u00e1stavby le\u017e\u00ed v\u00a0pam\u00e1tkov\u011b chr\u00e1n\u011bn\u00e9m \u00fazem\u00ed, zbytek v\u00a0jeho ochrann\u00e9m p\u00e1smu. Pam\u00e1tkov\u00fd z\u00e1kon\u00a0 plo\u0161nou ochranu sice zmi\u0148uje, ale bl\u00ed\u017ee nevykl\u00e1d\u00e1 jej\u00ed smysl ani zp\u016fsob zabezpe\u010den\u00ed. Navzdory protest\u016fm ve\u0159ejnosti je org\u00e1ny pam\u00e1tkov\u00e9 p\u00e9\u010de tolerov\u00e1no zcela b\u011b\u017en\u011b oslabov\u00e1n\u00ed dominant p\u0159edimenzovanou z\u00e1stavbou v\u00a0jejich bl\u00edzkosti, tak\u017ee op\u011bt mus\u00edme p\u0159edem vysv\u011btlit, podle jak\u00fdch hodnot \u00a0posuzujeme z\u00e1sahy do panoramatu a struktury pam\u00e1tkov\u00e9 chr\u00e1n\u011bn\u00e9ho m\u011bsta.<\/p>\n

Zm\u011bna je p\u0159irozenou realitou v\u00a0\u017eiv\u00e9m m\u011bst\u011b, ale zachov\u00e1n\u00ed jeho charakteru, identity –\u00a0 by m\u011blo b\u00fdt samoz\u0159ejmou podm\u00ednkou \u00fasp\u011b\u0161n\u00e9 ochrany.<\/p>\n

Levob\u0159e\u017en\u00ed panorama Prahy je charakteristick\u00e9 plochou strukturou \u0161ikm\u00fdch st\u0159ech s\u00a0m\u011b\u0159\u00edtkem st\u0159edov\u011bk\u00fdch parcel, rytmizovanou \u0161t\u00edhl\u00fdmi hrotit\u00fdmi v\u011b\u017eemi kostel\u016f. \u00a0Z\u00e1stavba navr\u017een\u00e1 v\u00a0projektu Penty se k\u00a0n\u00ed t\u011bsn\u011b p\u0159imyk\u00e1 na chr\u00e1n\u011bn\u00e9m \u00fazem\u00ed bez jak\u00e9hokoli vymezen\u00ed autonomie M\u00edsto \u0161ikm\u00fdch st\u0159ech m\u00e1 rozs\u00e1hl\u00e9 plochy vymezen\u00e9 k\u0159ivkami bez n\u00e1vaznosti na jakoukoli parcelaci, kter\u00e1 by jim d\u00e1vala\u00a0 m\u011b\u0159\u00edtko. Navrhovan\u00e1 z\u00e1stavba se ani nepokou\u0161\u00ed nav\u00e1zat se st\u00e1vaj\u00edc\u00edm m\u011bstem kontakt, nepo\u0161kodit jeho identitu. P\u0159in\u00e1\u0161\u00ed dramatickou zm\u011bnu. V\u011b\u017e, jej\u00ed\u017e v\u00fdstavba se chyst\u00e1 u n\u00e1dra\u017e\u00ed na Florenci, by byla podivn\u00fdm partnerem Pra\u0161n\u00e9 br\u00e1n\u011b, radni\u010dn\u00ed v\u011b\u017ei a T\u00fdnu. V\u00fdsledek t\u00e9to konfrontace by po\u0161kodil cel\u00fd panoramatick\u00fd celek.<\/p>\n

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Stejnou n\u00e1hlou\u00a0 zm\u011bnu\u00a0 prost\u0159ed\u00ed by pro\u017e\u00edval chodec p\u0159i vstupu do nov\u00e9 z\u00e1stavby. Sousedn\u00ed historick\u00e1 pra\u017esk\u00e1 z\u00e1stavba m\u00e1 jasn\u011b vymezen\u00e9 ulice a n\u00e1m\u011bst\u00ed jako individualizovan\u00e9 prostorov\u00e9 celky s\u00a0vlastn\u00ed osobitost\u00ed. \u00a0M\u011b\u0159\u00edtko t\u011bchto prostor\u016f odpov\u00edd\u00e1 pot\u0159eb\u00e1m na\u0161eho vizu\u00e1ln\u00edho vn\u00edm\u00e1n\u00ed, na\u0161\u00ed orientaci pom\u00e1h\u00e1\u00a0 rytmizace prostoru dan\u00e1 velikosti jednotliv\u00fdch parcel. T\u00edm je d\u00e1na identita pra\u017esk\u00e9ho prost\u0159ed\u00ed, jeho \u0159\u00e1d.<\/p>\n

P\u0159echod do z\u00e1stavby\u00a0 dramaticky odli\u0161n\u00e9ho m\u011b\u0159\u00edtka i prostorov\u00e9ho \u0159\u00e1du je v\u00a0n\u00e1vrhu n\u00e1hl\u00fd: m\u00edsto p\u0159ehledn\u00fdch vymezen\u00fdch prostor\u016f poskytuj\u00edc\u00edch dobrou orientaci a pocit bezpe\u010d\u00ed\u00a0 se zde vln\u00ed jak\u00fdsi nekone\u010dn\u00fd bulv\u00e1r vymezen\u00fd dynamick\u00fdmi r\u016fzn\u011b se nakl\u00e1n\u011bj\u00edc\u00edmi povrhy neartikulovan\u00e9 hmoty, obklopuj\u00edc\u00ed tvrdou linii magistr\u00e1ly. Z\u00e1stavba, kter\u00e1 z\u00e1m\u011brn\u011b ignoruje na\u0161e geneticky dan\u00e9 p\u0159edpoklady p\u0159irozen\u00e9ho vn\u00edm\u00e1n\u00ed prost\u0159ed\u00ed a orientace v\u00a0n\u011bm nem\u016f\u017ee vytvo\u0159it kvalitn\u00ed \u017eivotn\u00ed prost\u0159ed\u00ed, od kter\u00e9ho o\u010dek\u00e1v\u00e1me pr\u00e1vem existenci\u00e1ln\u00ed podporu.<\/p>\n

Praha pot\u0159ebuje novou sou\u010dasnou architekturu, ale takovou, kter\u00e1 by nav\u00e1zala na jej\u00ed hodnoty a posunula je d\u00e1le k\u00a0pot\u0159eb\u00e1m sou\u010dasnosti. Nepot\u0159ebuje architekturu, kter\u00e1 by jej\u00ed hodnoty pop\u00edrala.<\/p>\n

Realizace tohoto developersk\u00e9ho projektu by s\u00a0nejv\u011bt\u0161\u00ed pravd\u011bpodobnost\u00ed vy\u0159adila Prahu ze seznamu sv\u011btov\u00e9ho kulturn\u00edho d\u011bdictv\u00ed. Dopust\u00edme to?<\/p>\n

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Dal\u0161\u00ed \u010dl\u00e1nky pan\u00ed architektky \u0160v\u00e1bov\u00e9 si m\u016f\u017eete p\u0159e\u010d\u00edst\u00a0zde<\/a>.<\/p>\n

Dal\u0161\u00ed \u010dl\u00e1nky kategorie Pam\u00e1tky si\u00a0m\u016f\u017eete p\u0159e\u010d\u00edst\u00a0zde<\/a>.<\/p>\n

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<\/a><\/a><\/a><\/a><\/div>","protected":false},"excerpt":{"rendered":"

 1,304 total views P\u0159etiskujeme \u010dl\u00e1nek pan\u00ed architektky \u0160v\u00e1bov\u00e9 k\u00a0n\u00e1vrhu z\u00e1stavby uvoln\u011bn\u00e9ho koleji\u0161t\u011b u Masarykova n\u00e1dra\u017e\u00ed.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":[],"categories":[23],"tags":[],"_links":{"self":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts\/6361"}],"collection":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6361"}],"version-history":[{"count":4,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts\/6361\/revisions"}],"predecessor-version":[{"id":6409,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts\/6361\/revisions\/6409"}],"wp:attachment":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}