{"id":6488,"date":"2018-12-09T11:17:08","date_gmt":"2018-12-09T11:17:08","guid":{"rendered":"http:\/\/obcanskymonitoring.cz\/?p=6488"},"modified":"2018-12-09T11:17:48","modified_gmt":"2018-12-09T11:17:48","slug":"arch-svabova-vyjadreni-asorkd-k-novemu-projektu-bytoveho-domu-u-milosrdnych-ktery-predklada-v-invest","status":"publish","type":"post","link":"https:\/\/obcanskymonitoring.cz\/?p=6488","title":{"rendered":"Arch. \u0160v\u00e1bov\u00e1: Vyj\u00e1d\u0159en\u00ed ASORKD k nov\u00e9mu projektu bytov\u00e9ho domu U Milosrdn\u00fdch, kter\u00fd p\u0159edkl\u00e1d\u00e1 V Invest"},"content":{"rendered":"
<\/div>\n

<\/g><\/svg><\/i>  1,527 total views<\/p>\n

<\/div>\n

\"\"<\/a><\/p>\n

 <\/p>\n

P\u0159etiskujeme nov\u00fd \u010dl\u00e1nek pan\u00ed architektky \u0160v\u00e1bov\u00e9 ke kauze Mar\u0161meloun. \u010cl\u00e1nek pan\u00ed architektky je reakc\u00ed na tiskovou zpr\u00e1vu spole\u010dnosti V INVEST, v n\u00ed\u017e p\u0159edstavila n\u00e1vrh na novou podobu bytov\u00e9ho domu. Tiskovou zpr\u00e1vu a podklady od V INVESTu si m\u016f\u017eete prohl\u00e9dnout a p\u0159e\u010d\u00edst zde<\/a>.<\/p>\n

<\/p>\n

Nov\u00fd n\u00e1vrh bytov\u00e9ho domu si nese z\u00e1t\u011b\u017e z n\u00e1vrhu minul\u00e9ho \u2013 nic, krom\u011b problematick\u00fdch kosmetick\u00fdch z\u00e1sah\u016f, se nezm\u011bnilo. Proto z\u016fst\u00e1v\u00e1me na sv\u00e9m stanovisku, kter\u00e9 je od prvn\u00edch protest\u016f proti t\u00e9to budov\u011b nem\u011bnn\u00e9: mar\u0161meloun se svou p\u0159edimenzovanou hmotou, kter\u00e1 se nijak nezm\u011bnila, do dan\u00e9ho prost\u0159ed\u00ed nepat\u0159\u00ed. Staronov\u00fd n\u00e1vrh nad\u00e1le po\u0161kozuje urbanistick\u00e9 postaven\u00ed kulturn\u00ed pam\u00e1tku barokn\u00edho \u0161pit\u00e1lu are\u00e1lu kl\u00e1\u0161tera p\u0159i kostele sv. \u0160imona a Judy Tade\u00e1\u0161e a n\u00e1rodn\u00ed kulturn\u00ed pam\u00e1tku kl\u00e1\u0161tera sv. Ane\u017eky \u010cesk\u00e9, symbolu \u010desk\u00e9 st\u00e1tnosti. I nov\u00fd n\u00e1vrh z\u016fst\u00e1v\u00e1 v rozporu s\u00a0Ben\u00e1tskou chartou, jej\u00edmi\u017e jsme, \u010cesk\u00e1 republika, signat\u00e1\u0159i:<\/p>\n

\u010cl. 6. Konzervace pam\u00e1tky v\u00a0sob\u011b zahrnuje uchov\u00e1n\u00ed jej\u00edho prost\u0159ed\u00ed v odpov\u00eddaj\u00edc\u00edm m\u011b\u0159\u00edtku<\/strong>. Pokud tradi\u010dn\u00ed prost\u0159ed\u00ed existuje, je nutn\u00e9 ho udr\u017eet. Ka\u017edou novostavbu, kter\u00e1 by zm\u011bnila vztahy objem\u016f a barev, je t\u0159eba zam\u00edtnout. Za \u010cSR na zn\u011bn\u00ed spolupracoval a podepsal Jakub Pavel, p\u0159eklad aktualizovali doc. Josef \u0160tulc a Bohum\u00edra Cymbalakov\u00e1<\/em>.<\/p>\n

V\u00a0\u017e\u00e1dn\u00e9m z\u00a0na\u0161ich p\u0159edchoz\u00edch stanovisek jsme se nezab\u00fdvali barvou fas\u00e1dy. Nev\u00edme, kdo p\u0159ezd\u00edvku mar\u0161meloun vymyslel. Lidov\u00fd vtip\u00e1lek t\u00edm za\u0159adil bytov\u00fd d\u016fm U Milosrdn\u00fdch do\u00a0rodiny kontroverzn\u00edch n\u00e1vrh\u016f, kter\u00e9 nerespektuj\u00ed kontext s\u00a0prost\u0159ed\u00edm: chobotnice, b\u00edl\u00fd medv\u011bd \u2013 hromada l\u00edvanc\u016f, medv\u011bd v\u00a0kleci (vylep\u0161en\u00fd n\u00e1vrh novostavby na V\u00edt\u011bzn\u00e9m n\u00e1m\u011bst\u00ed), petfla\u0161ka \u2013 realizace na rohu Jugosl\u00e1vsk\u00fdch partyz\u00e1n\u016f a \u0160ol\u00ednovy m\u00e1 i hor\u0161\u00ed p\u0159ezd\u00edvku, kterou tu nelze citovat. Ob\u010dan\u00e9 t\u00edm protestuj\u00ed typicky \u010desk\u00fdm zp\u016fsobem \u2013 zesm\u011b\u0161n\u011bn\u00edm. Na\u0161e argumenty byly p\u0159edev\u0161\u00edm v\u00a0rovin\u011b urbanistick\u00e9 a z\u016fst\u00e1vaj\u00ed beze zm\u011bny – stejn\u011b jako se nezm\u011bnil \u201enov\u00fd n\u00e1vrh\u201c.<\/p>\n

Zde je rekapitulace st\u00e1le opakovan\u00fdch p\u0159ipom\u00ednek z\u00a0hlediska z\u00e1sad pam\u00e1tkov\u00e9 ochrany:<\/p>\n

    \n
  1. P\u016fvodn\u00ed z\u00e1stavba, kter\u00e1 tu byla v\u00a0dob\u011b vzniku kl\u00e1\u0161tera sv. Ane\u017eky \u010cesk\u00e9, odpov\u00eddala m\u011b\u0159\u00edtku venkovsk\u00e9ho os\u00eddlen\u00ed. Z\u00a0baroka z\u016fst\u00e1v\u00e1 p\u016fvabn\u00e1 \u0159ada 2podla\u017en\u00edch dom\u016f na prav\u00e9 stran\u011b ulice u Milosrdn\u00fdch, jejich\u017e \u0159\u00edmsa se k\u00a0n\u00e1vrhu navrhovan\u00e9ho bytov\u00e9ho domu p\u0159ibl\u00ed\u017eila na vzd\u00e1lenost pouh\u00fdch 2 m p\u0159es p\u0159il\u00e9haj\u00edc\u00ed trafostanici. Nep\u0159\u00edli\u0161 zda\u0159il\u00fd objekt alespo\u0148 respektoval v\u00fd\u0161ku uli\u010dn\u00ed \u0159\u00edmsy. Mar\u0161meloun ji p\u0159evy\u0161uje v\u00a0odstupu 2m o 12,5m. Na druh\u00e9 stran\u011b doch\u00e1z\u00ed k\u00a0p\u0159ev\u00fd\u0161en\u00ed \u0159\u00edmsy \u0161pit\u00e1lu kl\u00e1\u0161tera milosrdn\u00fdch brat\u0159\u00ed o 3,6 m v\u00a0odstupu \u0161\u00ed\u0159ky ulice Koz\u00ed, tj. 8m. Funkcionalistick\u00fd d\u016fm na ramp\u011b asana\u010dn\u00ed sp\u00e1ry nelze vzhledem k\u00a0ob\u011bma pam\u00e1tk\u00e1m hodnotit jako p\u0159\u00ednosn\u00fd, ale jeho existence neospravedl\u0148uje dal\u0161\u00ed \u0161kody. Eklektick\u00e1 z\u00e1stavba proti \u0160pit\u00e1lu m\u00e1 v\u011bt\u0161\u00ed odstup a p\u0159ibli\u017euje se sv\u00fdm \u010dlen\u011bn\u00edm i emocion\u00e1ln\u00edm n\u00e1bojem v\u00edce pam\u00e1tk\u00e1m, tak\u017ee jejich koexistence je p\u0159\u00edzniv\u011bj\u0161\u00ed. Naopak hrub\u00e9 \u010dlen\u011bn\u00ed mar\u0161melounu, kter\u00e9 se nav\u00edc t\u011bsn\u011b ke \u0161pit\u00e1lu i are\u00e1lu sv. Ane\u017eky p\u0159ibli\u017euje, jemn\u00fd sestup m\u011b\u0159\u00edtek historick\u00fdch budov k fin\u00e1ln\u00edm detail\u016fm zcela postr\u00e1d\u00e1.<\/li>\n<\/ol>\n

    Ka\u017ed\u00fd laik poc\u00edt\u00ed degradaci obou cenn\u00fdch pam\u00e1tek, vypl\u00fdvaj\u00edc\u00ed jednak z\u00a0\u00fatlaku p\u0159edimenzovanou hmotou novostavby, ale i poru\u0161en\u00edm hierarchie kulturn\u00ed: historick\u00e9 dominanty se siln\u00fdm spiritu\u00e1ln\u00edm n\u00e1bojem potla\u010duje utilit\u00e1rn\u00ed bytov\u00fd d\u016fm pro vy\u0161\u0161\u00ed vrstvy, kter\u00e9 si mohou t\u011bsnou bl\u00edzkost gotiky a baroka zaplatit. Tvrd\u00fd n\u00e1raz nov\u00e9ho m\u011b\u0159\u00edtka na starou drobnou z\u00e1stavbu vnese do sou\u010dasn\u00e9 k\u0159ehk\u00e9 soudr\u017enosti historick\u00e9ho souboru chaos a zp\u016fsob\u00ed nen\u00e1vratnou kulturn\u00ed ztr\u00e1tu.<\/p>\n

      \n
    1. To nejcenn\u011bj\u0161\u00ed, co se z\u00e1zrakem v\u00a0t\u00e9to oblasti dochovalo, je uli\u010dn\u00ed s\u00ed\u0165 d\u00e1vn\u00e9 vesnice<\/strong>. Jej\u00ed stopa formuje dodnes uli\u010dn\u00ed prostory a z\u016fst\u00e1v\u00e1 poj\u00edtkem dnes ji\u017e heterogenn\u00ed z\u00e1stavby Ha\u0161talsk\u00e9 \u010dtvrti. Do t\u00e9to prad\u00e1vn\u00e9 s\u00edt\u011b cest obestav\u011bn\u00e9 \u0159adovou z\u00e1stavbou se nacpal mar\u0161meloun op\u011bt s necitlivou brutalitou jako solit\u00e9r- nav\u00edc vt\u011bsnan\u00fd do nedostate\u010dn\u00e9ho prostoru. Poru\u0161uje historickou \u0159adovou z\u00e1stavbu, ani\u017e by mohl uplatnit ambice samostatn\u00e9ho objektu pro nedostatek okoln\u00edho m\u00edsta.<\/li>\n
    2. Dal\u0161\u00edm poru\u0161en\u00edm z\u00e1sad m\u011bstsk\u00e9 pam\u00e1tkov\u00e9 ochrany je nehor\u00e1zn\u00e9 spojen\u00ed 8 parcel do jednoho bloku<\/strong>. Ve zpr\u00e1v\u011b uveden\u00e9 vysv\u011btlen\u00ed, \u017ee tento nedostatek kompenzuje \u010dlen\u011bn\u00ed budovy, neobstoj\u00ed. Jednotn\u00e9 architektonick\u00e9 ztv\u00e1rn\u011bn\u00ed je natolik v\u00fdrazn\u00e9, \u017ee k\u00a0\u017e\u00e1dn\u00e9 evokaci objekt\u016f na men\u0161\u00edch parcel\u00e1ch nedoch\u00e1z\u00ed.<\/li>\n
    3. Stejn\u00e1 situace je i ve st\u0159e\u0161n\u00ed krajin\u011b<\/strong>. Do drobn\u00e9 struktury \u0161ikm\u00fdch st\u0159ech s\u00a0keramickou krytinou zasv\u00edt\u00ed obrovsk\u00e1 ploch\u00e1 st\u0159echa plovouc\u00ed dokonce nad h\u0159ebeny p\u0159il\u00e9haj\u00edc\u00edch st\u0159ech.<\/li>\n
    4. Nem\u00e9n\u011b kontroverzn\u00ed je schv\u00e1len\u00ed bytov\u00e9ho domu org\u00e1ny st\u00e1tn\u00ed pam\u00e1tkov\u00e9 p\u00e9\u010de.<\/strong> N\u00e1rodn\u00ed pam\u00e1tkov\u00fd \u00fastav v\u00a0r. 2009 schv\u00e1lil zastav\u011bnou plochu pro bytov\u00fd objekt o rozm\u011bru 12x21m. N\u00e1vrh po\u010d\u00edtal se sedlovou st\u0159echou. V\u00a0r. 2012 do\u0161lo ke skokov\u00e9mu n\u00e1r\u016fstu hmoty, <\/strong>k\u00f3tu h\u0159ebene p\u0159evzala ploch\u00e1 st\u0159echa, objem se zv\u011bt\u0161il t\u00e9m\u011b\u0159 \u010dty\u0159n\u00e1sobn\u011b. Umo\u017enilo to\u00a0podivn\u00e9 p\u0159ipojen\u00ed 2 pam\u00e1tkov\u011b chr\u00e1n\u011bn\u00fdch parcel z\u00a0are\u00e1lu kl\u00e1\u0161tera sv. Ane\u017eky ke staveni\u0161tibudouc\u00edho mar\u0161melounu. Nebylo vysv\u011btleno, jak ke\u00a0zmen\u0161en\u00ed are\u00e1lu kl\u00e1\u0161tera do\u0161lo. Jedin\u00fdm vysv\u011btlen\u00edm z\u016fst\u00e1v\u00e1 drastick\u00e1 exploatace historick\u00e9ho prost\u0159ed\u00ed za \u00fa\u010delem soukrom\u00e9ho zisku. Magistr\u00e1t n\u00e1r\u016fst objemu bytov\u00e9ho domu zd\u016fvodnil tak, \u017ee je nutno respektovat autorsk\u00fd projekt, do kter\u00e9ho pam\u00e1tkov\u00e1 p\u00e9\u010de nem\u016f\u017ee zasahovat, aby nepo\u0161kodila jeho kvalitu. Autorsk\u00fd projekt m\u00e1 samoz\u0159ejm\u011b dopad na sv\u00e9 okol\u00ed, ale to je nutn\u00e9 akceptovat. Sou\u010dasn\u00fd n\u00e1vrh si kontroverzn\u011b nabyt\u00fd objem ponechal.<\/strong><\/li>\n<\/ol>\n

      Zd\u016fvodn\u011bn\u00ed odboru pam\u00e1tkov\u00e9 p\u00e9\u010de magistr\u00e1tu nepova\u017euje za p\u0159im\u011b\u0159en\u00e9 ani pam\u00e1tkov\u00e1 inspekce ministerstva kultury. Autorsk\u00fd projekt nen\u00ed pr\u00e1vn\u011b definov\u00e1n. Ka\u017ed\u00fd projekt mus\u00ed m\u00edt sv\u00e9ho autora, opr\u00e1vn\u011bn\u00e9ho k\u00a0projektov\u00e1n\u00ed. Magistr\u00e1t tak p\u0159ipustil, \u017ee je v\u00a0chr\u00e1n\u011bn\u00e9m \u00fazem\u00ed mo\u017en\u00e9 stav\u011bt cokoli, a \u017ee funkce pam\u00e1tkov\u00e9 p\u00e9\u010de nem\u00e1 opodstatn\u011bn\u00ed.<\/p>\n

        \n
      1. P\u0159inejmen\u0161\u00edm trapn\u011b p\u016fsob\u00ed vytrval\u00e9 op\u0159\u00e1d\u00e1n\u00ed bytov\u00e9ho domu um\u011ble vytv\u00e1\u0159enou romantikou v\u00e1zanou na vyfabulovan\u00e1 st\u00ednadla. P\u011b\u0161\u00ed spojka mezi ploty z ulice U obecn\u00edho dvora k Ha\u0161talsk\u00e9mu n\u00e1m\u011bst\u00ed, kterou ani nelze nazvat ulic\u00ed, byla nazv\u00e1na Ve St\u00ednadlech teprve ned\u00e1vno na po\u010dest Jaroslava Foglara, bez jak\u00e9koli historick\u00e9 vazby, jak\u00a0ke spisovatelovu d\u00edlu, tak\u00a0k pra\u017esk\u00e9 historii. Nov\u00e1 k\u00fd\u010dovit\u00e1 legenda spolu s\u00a0novou hmotovou dominantou historick\u00e9ho souboru pom\u00e1h\u00e1 odsunout ob\u011b pam\u00e1tky se st\u00e1le aktu\u00e1ln\u00edm vztahem k\u00a0sou\u010dasnosti mezi romantick\u00e9 suven\u00fdry. Ze sou\u010dasn\u00fdch kompozi\u010dn\u00edch dominant se maj\u00ed st\u00e1t sentiment\u00e1ln\u00ed ozd\u016fbky nov\u00e9ho prost\u0159ed\u00ed, kter\u00e9 se prosazuje v\u00a0jin\u00e9m m\u011b\u0159\u00edtku. Tak dopad\u00e1 na\u0161e n\u00e1rodn\u00ed kulturn\u00ed d\u011bdictv\u00ed v\u00a0p\u00e9\u010di developer\u016f.<\/li>\n<\/ol>\n

        Zb\u00fdv\u00e1 vyrovnat se s\u00a0t\u00edm, jak je mo\u017en\u00e9, \u017ee si porota sestaven\u00e1 z\u00a0na\u0161ich \u201eelit\u201c, nev\u0161imla, \u017ee hlavn\u00ed z\u00e1vada, nadm\u011brn\u00e9 dimenze objektu, z\u016fstala beze zm\u011bny, a \u017ee i dal\u0161\u00ed kontroverzn\u00ed vlastnosti n\u00e1vrhu ve st\u0159e\u0161n\u00ed krajin\u011b i uli\u010dn\u00ed s\u00edti z\u016fstaly, jak byly. P\u0159\u00ed\u010dina tohoto jevu spo\u010d\u00edv\u00e1 v\u00a0modernistick\u00e9m my\u0161len\u00ed, zalo\u017een\u00e9m na vypjat\u00e9m individualismu. Jeho stoupenci nevn\u00edmaj\u00ed pot\u0159ebu kontextu, harmonie s\u00a0okol\u00edm. Mezin\u00e1rodn\u00ed \u00famluvy, kter\u00e9 na\u0161e republika signovala, je nezaj\u00edmaj\u00ed \u2013 jsou toti\u017e v\u00a0rozporu s\u00a0hyperkorektn\u00ed z\u00e1sadou neomezen\u00e9 kreativity a plurality n\u00e1zor\u016f. D\u016fm nen\u00ed izolovan\u00fd artefakt, je to nemovit\u00e1 sou\u010d\u00e1st na\u0161eho um\u011bl\u00e9ho \u017eivotn\u00edho prost\u0159ed\u00ed. Jeho hodnocen\u00ed se logicky odv\u00edj\u00ed od jeho vztahu s\u00a0okol\u00edm. Pokud zde chyb\u00ed kontext, harmonie, nelze o dobr\u00e9 architektu\u0159e hovo\u0159it.<\/p>\n

        Velice p\u0159il\u00e9hav\u011b vystihl situaci slavn\u00fd architekt Rem Koolhaas, do ned\u00e1vna s\u00e1m guru modernismu. Ve sv\u00e9 knize z\u00a0r. 2014, nazvan\u00e9 \u201ePam\u00e1tkov\u00e1 p\u00e9\u010de n\u00e1s p\u0159ede\u0161la\u201c napsal: If you were to compile buildings from some of the major architects of the last ten years, whatever their individual qualities may be, it is very clear that together they don\u00b4t have any cumulative impact and somehow they are mysteriously self-canceling and therefore not really productive.<\/em> (Neautorizovan\u00fd p\u0159eklad: Kdybychom shrom\u00e1\u017edili budovy od v\u00fdzna\u010dn\u00fdch architekt\u016f za posledn\u00edch 10 let, bez ohledu na jejich individu\u00e1ln\u00ed kvalitu, je zcela jasn\u00e9, \u017ee dohromady nevytv\u00e1\u0159ej\u00ed celek a jaksi tajemn\u011b se vz\u00e1jemn\u011b ru\u0161\u00ed, a proto ned\u00e1vaj\u00ed smysl.)<\/em> Jde o velice p\u0159il\u00e9hav\u00fd popis architektury, kter\u00e1 ztr\u00e1c\u00ed vztah ke sv\u00e9mu prost\u0159ed\u00ed, neharmonuje s\u00a0n\u00edm, nen\u00ed schopn\u00e1 s n\u00edm vytvo\u0159it smyslupln\u00fd celek.<\/p>\n

        Historick\u00e1 Praha pot\u0159ebuje sou\u010dasnou architekturu, ale takovou, kter\u00e1 respektuje a d\u00e1le rozv\u00edj\u00ed jej\u00ed urbanistick\u00e9 hodnoty, zalo\u017een\u00e9 na priorit\u011b prostoru. Z\u00a0priority prostoru vypl\u00fdv\u00e1 kontext, harmonie, kter\u00e1 je schopn\u00e1 integrovat r\u016fzn\u00e1 \u010dasov\u00e1 obdob\u00ed do harmonick\u00e9ho celku.<\/p>\n

         <\/p>\n

         <\/p>\n

        Dal\u0161\u00ed \u010dl\u00e1nky o kauze Mar\u0161meloun na V\u00e1clavsk\u00e9m n\u00e1m\u011bst\u00ed na str\u00e1nk\u00e1ch Ob\u010dansk\u00e9ho monitoringu si m\u016f\u017eete p\u0159e\u010d\u00edst\u00a0zde<\/a>.<\/p>\n

        Dal\u0161\u00ed \u010dl\u00e1nky pan\u00ed architektky \u0160v\u00e1bov\u00e9 si m\u016f\u017eete p\u0159e\u010d\u00edst\u00a0zde<\/a>.<\/p>\n

        Dal\u0161\u00ed \u010dl\u00e1nky kategorie Pam\u00e1tky si\u00a0m\u016f\u017eete p\u0159e\u010d\u00edst\u00a0zde<\/a>.<\/p>\n

        <\/a><\/a><\/a><\/a><\/div>
        <\/a><\/a><\/a><\/a><\/div>","protected":false},"excerpt":{"rendered":"

         1,527 total views   P\u0159etiskujeme nov\u00fd \u010dl\u00e1nek pan\u00ed architektky \u0160v\u00e1bov\u00e9 ke kauze Mar\u0161meloun. \u010cl\u00e1nek pan\u00ed architektky je reakc\u00ed na tiskovou zpr\u00e1vu spole\u010dnosti V INVEST, v n\u00ed\u017e p\u0159edstavila n\u00e1vrh na novou podobu bytov\u00e9ho domu. Tiskovou zpr\u00e1vu a podklady od V INVESTu si m\u016f\u017eete prohl\u00e9dnout a p\u0159e\u010d\u00edst zde.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":[],"categories":[41,23,10],"tags":[],"_links":{"self":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts\/6488"}],"collection":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6488"}],"version-history":[{"count":1,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts\/6488\/revisions"}],"predecessor-version":[{"id":6490,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts\/6488\/revisions\/6490"}],"wp:attachment":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}