{"id":7357,"date":"2021-03-09T18:11:06","date_gmt":"2021-03-09T18:11:06","guid":{"rendered":"http:\/\/obcanskymonitoring.cz\/?p=7357"},"modified":"2021-03-10T10:41:44","modified_gmt":"2021-03-10T10:41:44","slug":"proc-jsme-hajili-kozakuv-dum-a-proc-nas-novostavba-po-jeho-demolici-neuspokojila","status":"publish","type":"post","link":"https:\/\/obcanskymonitoring.cz\/?p=7357","title":{"rendered":"Arch. \u0160v\u00e1bov\u00e1: Pro\u010d jsme h\u00e1jili \u201eKoz\u00e1k\u016fv\u201c d\u016fm a pro\u010d jsme odm\u00edtali novostavbu"},"content":{"rendered":"
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arch. Marie \u0160v\u00e1bov\u00e1<\/strong><\/p>\n\n\n\n

Kristin\u011b Z\u00e1brodsk\u00e9 v metropolitn\u00edm magaz\u00ednu Citylife se zd\u00e1 neuv\u011b\u0159iteln\u00e9, jak\u00e9 v\u00e1\u0161n\u011b budila v\u00fdstavba domu na rohu Opletalovy a V\u00e1clavsk\u00e9ho n\u00e1m\u011bst\u00ed. A jak\u00e9 protesty vyvolala demolice tzv. Koz\u00e1kova domu, kter\u00fd mu musel ustoupit, a pro\u010d je\u0161t\u011b dnes mnoho lid\u00ed jeho kvality nedocenilo \u2013 m\u011bla je\u0161t\u011b dodat. Proto\u017ee i kritika realizace p\u0159etrv\u00e1v\u00e1.  <\/p>\n\n\n

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Pokus\u00edme se o vysv\u011btlen\u00ed trochou teorie: Develope\u0159i a bohu\u017eel i mnoz\u00ed pam\u00e1tk\u00e1\u0159i vid\u00ed m\u011bstskou z\u00e1stavbu jako mno\u017einu vz\u00e1jemn\u011b nez\u00e1visl\u00fdch dom\u016f. D\u00edvaj\u00ed se c\u00edlen\u011b jen na jeden objekt a stejn\u011b, jako kdyby pozorovali v galerii n\u011bjak\u00fd mobiln\u00ed artefakt, obraz, plastiku. Zam\u011b\u0159uj\u00ed se na formu jeho hmoty, nevn\u00edmaj\u00ed jeho vztah k okol\u00ed. Takov\u00e9 soust\u0159ed\u011bn\u00e9 pozorov\u00e1n\u00ed a posuzov\u00e1n\u00ed jedin\u00e9ho objektu neodpov\u00edd\u00e1 p\u0159irozen\u00e9mu vn\u00edm\u00e1n\u00ed prost\u0159ed\u00ed, ve kter\u00e9m se nach\u00e1z\u00edme.
Soust\u0159ed\u011bn\u00ed vjemu na jedin\u00fd objekt p\u0159edpokl\u00e1d\u00e1 motivaci, kterou b\u011b\u017en\u00ed lid\u00e9 nemaj\u00ed a ani m\u00edt nemohou. Ve m\u011bst\u011b si \u017eij\u00ed sv\u016fj \u017eivot, jejich c\u00edlem neb\u00fdv\u00e1 prohl\u00eddka jednotliv\u00fdch dom\u016f. V\u017edy vn\u00edmaj\u00ed vy\u0161\u0161\u00ed celek \u2013 nejprve cel\u00fd vymezen\u00fd prostor, a teprve n\u00e1sledn\u011b (a to ne v\u017edy) jednotliv\u00e9 domy, ale i tehdy je vid\u00ed pouze v souvislosti s jejich bezprost\u0159edn\u00edm okol\u00edm a sou\u010dasn\u011b v r\u00e1mci cel\u00e9ho prostoru. Pokud tvo\u0159\u00ed objekty v zorn\u00e9m poli celek, pokud je mezi nimi harmonick\u00fd vztah, vyvol\u00e1vaj\u00ed v pozorovateli pocit uspokojen\u00ed, klid. Pokud harmonie chyb\u00ed, pokud objekty k sob\u011b nepat\u0159\u00ed, nemaj\u00ed vz\u00e1jemn\u00e9 vazby, ned\u00e1vaj\u00ed spolu \u017e\u00e1dn\u00fd smysl, vn\u00edm\u00e1me chaos, pro\u017e\u00edv\u00e1me stres.
Koz\u00e1k\u016fv d\u016fm se do sv\u00e9ho prost\u0159ed\u00ed hodil, pat\u0159il na sv\u00e9 m\u00edsto. Sd\u00edlel s domy horn\u00ed \u010d\u00e1sti n\u00e1m\u011bst\u00ed jednoduchou siluetu, algoritmus \u010dlen\u011bn\u00ed fas\u00e1dy. Nem\u011bl individu\u00e1ln\u00ed hodnoty pro vyhl\u00e1\u0161en\u00ed kulturn\u00ed pam\u00e1tkou, ale m\u011bl vysokou hodnotu urbanistickou, kterou na\u0161e pam\u00e1tkov\u00e1 p\u00e9\u010de nevn\u00edm\u00e1. Jeho urbanistick\u00e1 hodnota zaslou\u017eila ochranu pl\u00e1\u0161t\u011b objektu \u2013 st\u0159echy a fas\u00e1d. Flow buiding naopak svou v\u00fdraznou odli\u0161nost\u00ed poru\u0161il jednotu horn\u00ed \u010d\u00e1sti n\u00e1m\u011bst\u00ed, kter\u00e1 je d\u016fle\u017eit\u00e1 pro koncepci cel\u00e9ho V\u00e1clavsk\u00e9ho n\u00e1m\u011bst\u00ed.<\/p>\n\n\n\n

Na n\u00e1sleduj\u00edc\u00edch fotografi\u00edch m\u016f\u017eeme sledovat, jak se postupnou urbanizac\u00ed prostoru stalo z dlouh\u00e9 m\u011bstsk\u00e9 t\u0159\u00eddy p\u0159ehrazen\u00e9 budovou Muzea n\u00e1m\u011bst\u00ed rod\u00edc\u00ed se metropole.<\/p>\n\n\n\n

Na prvn\u00ed fotografii Muzeum st\u00e1lo jakoby nahodile vzhledem k prostoru bulv\u00e1ru.<\/p>\n\n\n\n

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Jeho dominantn\u00ed postaven\u00ed se nemohlo v\u00fdrazn\u011b prosadit v konkurenci akcent\u016f variabiln\u00ed siluety fas\u00e1d. Myslbekovo souso\u0161\u00ed je\u0161t\u011b nebylo na sv\u00e9m m\u00edst\u011b. Prob\u00edhal spor mezi architektem Schulzem a architektem Josefem Hl\u00e1vkou o jeho um\u00edst\u011bn\u00ed. Nakonec arch. Hl\u00e1vka prosadil postaven\u00ed souso\u0161\u00ed do prostoru p\u0159ed Muzeum. T\u00edm polo\u017eil z\u00e1klad budouc\u00edho kultovn\u00edho prostoru n\u00e1m\u011bst\u00ed a pos\u00edlil postaven\u00ed Muzea.<\/p>\n\n\n\n

Druh\u00e1 fotografie p\u0159edstavuje zavr\u0161en\u00ed Hl\u00e1vkovy koncepce.<\/p>\n\n\n\n

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Zklidn\u011bn\u00edm siluety st\u0159ech odstran\u011bn\u00edm akcent\u016f, kter\u00e9 by konkurovaly Muzeu i zjednodu\u0161en\u00edm architektury fas\u00e1d do\u0161lo k integraci dom\u016f do soudr\u017en\u00e9ho prostoru bezprost\u0159edn\u011b ovl\u00e1dan\u00e9ho Muzeem s vlastn\u00edm t\u011b\u017ei\u0161t\u011bm \u2013 jezdeck\u00fdm souso\u0161\u00edm sv. V\u00e1clava po ulici \u0160t\u011bp\u00e1nskou a \u010d\u00e1st bloku mezi Opletalovou a Jind\u0159i\u0161skou. Rozd\u011blen\u00edm p\u016fvodn\u00ed m\u011bstsk\u00e9 t\u0159\u00eddy na dva vyhran\u011bn\u00e9 celky \u2013 hlu\u010dn\u00fd bulv\u00e1r v doln\u00ed \u010d\u00e1sti a klidn\u00fd monument\u00e1ln\u00ed prostor v \u010d\u00e1sti horn\u00ed \u2013 vznikl soudr\u017en\u00fd celek. Z dynamick\u00e9ho bulv\u00e1ru se stalo monument\u00e1ln\u00ed n\u00e1m\u011bst\u00ed.   <\/p>\n\n\n\n

Obr\u00e1zek ze sou\u010dasnosti bohu\u017eel ukazuje rozpad geni\u00e1ln\u00ed Hl\u00e1vkovy koncepce.<\/p>\n\n\n\n

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Sou\u010dasn\u00e1 individualistick\u00e1 \u201emodern\u00ed\u201c architektura nedovede vytv\u00e1\u0159et ani dopl\u0148ovat prostorov\u00e9 celky. Zat\u00edm co Koz\u00e1k\u016fv d\u016fm dokonale spl\u0148oval posl\u00e1n\u00ed sv\u00e9ho m\u00edsta v kompozici prostoru, Flow building ho ru\u0161\u00ed \u2013 do d\u016fstojn\u00e9ho klidu kultovn\u00edho prostoru k\u0159i\u010d\u00ed fas\u00e1dou s lacin\u00fdm trikem vln\u00edc\u00edch se vertik\u00e1l z plastov\u00fdch profil\u016f. P\u0159i ve\u010dern\u00edm slavnostn\u00edm osv\u011btlen\u00ed Muzea strhne na sebe pozornost ban\u00e1ln\u00ed sklen\u011bn\u00e1 fas\u00e1da na m\u00edst\u011b, kter\u00e9 m\u011blo v r\u00e1mci urbanistick\u00e9 koncepce z\u016fstat neutr\u00e1ln\u00ed, klidn\u00e9. Oslab\u00ed je\u0161t\u011b v\u00fdrazn\u011bji legitimn\u00ed dominantu n\u00e1m\u011bst\u00ed \u2013 Muzeum \u2013 a tak poru\u0161\u00ed celkovou koncepci hlavn\u00edho n\u00e1m\u011bst\u00ed metropole. To v\u0161e se stalo se souhlasem na\u0161ich etablovan\u00fdch elit za pen\u00edze da\u0148ov\u00fdch poplatn\u00edk\u016f. 
Kr\u00e1sa na\u0161ich historick\u00fdch m\u011bst je zalo\u017eena na architektu\u0159e respektuj\u00edc\u00ed celistvost prostoru, kter\u00fd vymezuje. Ne\u00faprosn\u00e9 konkuren\u010dn\u00ed exhibice sou\u010dasn\u00e9 architektury ji sv\u00e9voln\u011b ni\u010d\u00ed. Navrhnout kontrastn\u00ed architekturu je snadn\u00e9 \u2013 kontrast jde dos\u00e1hnout \u010d\u00edmkoli, obzvl\u00e1\u0161t\u011b pokud je s\u00e1m sob\u011b c\u00edlem. Navrhnout architekturu, kter\u00e1 se hod\u00ed do sv\u00e9ho m\u00edsta, citliv\u011b navazuje na prost\u0159ed\u00ed, vy\u017eaduje mnohem v\u00edc erudice a citu, pochopen\u00ed smyslu m\u00edsta. To se bohu\u017eel architektovi plovouc\u00ed budovy nepoda\u0159ilo.<\/p>\n\n\n\n

Ing. arch. Marie \u0160v\u00e1bov\u00e1, ASORKD<\/a><\/p>\n

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 3,607 total views arch. Marie \u0160v\u00e1bov\u00e1 Kristin\u011b Z\u00e1brodsk\u00e9 v metropolitn\u00edm magaz\u00ednu Citylife se zd\u00e1 neuv\u011b\u0159iteln\u00e9, jak\u00e9 v\u00e1\u0161n\u011b budila v\u00fdstavba domu na rohu Opletalovy a V\u00e1clavsk\u00e9ho n\u00e1m\u011bst\u00ed. A jak\u00e9 protesty vyvolala demolice tzv. Koz\u00e1kova domu, kter\u00fd mu musel ustoupit, a pro\u010d je\u0161t\u011b dnes mnoho lid\u00ed jeho kvality nedocenilo \u2013 m\u011bla je\u0161t\u011b dodat. Proto\u017ee i kritika realizace p\u0159etrv\u00e1v\u00e1. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[40,41,23,9],"tags":[],"_links":{"self":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts\/7357"}],"collection":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7357"}],"version-history":[{"count":13,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts\/7357\/revisions"}],"predecessor-version":[{"id":7376,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=\/wp\/v2\/posts\/7357\/revisions\/7376"}],"wp:attachment":[{"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/obcanskymonitoring.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}